Sainte Marie de la Mer – Early morning. This trip I wanted to show how graceful these majestic animals are when they glide through the air. The way I had chosen to do this was by showing the movement in their legs; I decided to shoot blurs. I told everyone around me I was going to be shooting blurs, the reactions were mixed. I got some frowns but did not pay much mind to it. After photographing for day and night; 3 days passed and I had nothing to show for it. I was finding it very difficult to keep the eyes of the horses sharp enough while still blurring the legs. I started to question my ability to achieve blurs. I began to question my capabilities as an image maker. Everyone around me had started to call me the “master blur.” “Ejaz The Master blur,” they would say it and laugh. Honestly, I hated it. As the days passed and the end of the trip came closer my nerves were shot. But I kept a smile on my face, pretending to be in total control. The fact was I was in a panic, so much so that on my second last day I decided to get a massage. My mind kept saying “give it up Ejaz give it up just go back to shooting the regular way.” I was tormented with the title ”master blur.” The next morning I was a little more calm, as we were photographing two stallions sparring. They were not running which meant no blurs. Boy was I relieved. As we waited for them to spar one of the horses just took off, he didn’t want to spar; he wanted to run free. I wanted to run free as well, free from the word BLUR. Seeing him run away sudden something came over me, I didn’t care about the result (a blur). I did what I felt to have fun and be in the moment, as soon as I let go and started to enjoy the moment it came to me, I landed up with this blur.
It’s funny how animals have taught me lessons. He wanted to run free and be in the moment. I wasn’t able to be Free because I was running after a result and I was not in the moment.
EJAZ KHAN EARTH: FINE ART PRINTS FOR HOME, OFFICE, RESORTS & RESTAURANTS
Bring the best of nature onto your walls through Ejaz Khan Earth’s unique prints. Ejaz has traveled around the world, often in arduous conditions, to capture magnificent animals in their natural habitat. Each photograph tells a story, and each photograph evokes inspiration, emotion and thought. If you have questions about purchasing the prints, please message us below.
LIMITED EDITION PRINTS
All of our wildlife and portraits limited edition art prints are signed, dated and numbered by Ejaz Khan.
In order to protect the authenticity of our museum quality prints, we provide a certificate of authenticity limiting the risk of falsification and duplication.
Certificates of authenticity are attached to the back of the frame.
Our prints are so unique, like the biting horse, the yawning puma, and the musk oxen butting heads, you will never see them any other place in the world.
FACE-MOUNTED PLEXI FRAMING
Our artwork is permanently face-mounted to plexiglass using a clear adhesive.
A brace will be mounted to the back on archival acid-free museum board, along with a french hanging cleat. The cleat could require additional hardware based on the composition of your wall.
Please note our standard plexiglass has a reflective surface which brings a different kind of feel to our wildlife and portrait images.
We ship our unframed orders within 2 weeks, travel time could differ based on your location.
We ship our wooden framed orders within 3-4 weeks, travel time could differ based on your location.
We ship our plexiglass orders within 4-5 weeks, travel time could differ based on your location.
Tracking numbers will be provided once the order has been shipped.
Orders are returnable after 5 days of receiving your print.
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